![]() Men dance with the whole foot on the ground while women, often wearing heels, dance just on the balls of the foot. The dance simply follows the beat of the music and can go from average pace to very fast. The weight is shifted to this inside foot briefly for the next "and-a", then shifted back to the outside foot on the "two", and the same series of actions is repeated towards the other side. The second leg bends lightly at the knee so that the left side of the hip lowers and the right side appears to move higher. The other foot moves slightly towards the front, and closer to the first foot. the right leg moves slightly to the right) and leg is kept as straight as a pole. The basic movement is the same to either side, where one foot moves to the outside lifting up just before the first beat (i.e. It can be described calling it and-a-one, and-a-two, then back to one. It can be thought of as a step-ball-change. The rhythm is 2/4, with 3 steps per measure. The feet move very slightly - only a few inches at a time. The basic movement involves a straight body and a bending of one knee at a time. Samba no pé (literally, "samba in the foot") is a solo dance that is commonly danced impromptu when samba music is played. Styles Samba no pé Ī performer of Samba dance at Rio Carnival Some of these popular dances were known as Baião, Bochinche, Candombe ( Candomblé), Catêrêtê, Caxambú, Choradinho, Côco-inchádo, Cocumbí, Córta-jáca, Cururú, Furrundú, Jongo, Lundú, Maracatú, Maxíxe, Quimbête, São-Gonçalo, Saramba as well as the many varieties of the Portuguese Fandango, and the Indio dance Puracé. Samba further developed specific characteristics in each Brazilian state, not only due to the diversity of tribes of African immigrants, but also because of the distinctive cultures each region embodied. ĭuring the mid-19th century, the word referred to several types of music made by enslaved Africans. Īccording to Hiram Araújo da Costa, over the centuries, the festival of dances of slaves in Bahia were called samba. ![]() Father Miguel Lopes Gama of Sacramento wrote an article arguing against what he called "the samba d'almocreve", which was a type of dance drama popular with black people of that time. One of the first references to "samba" was in Pernambuco magazine's O Carapuceiro, in February 1838. There are many theories about the origin of the word "samba".
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